This is as bad as it can get, at least I hope so.
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Mimic 1982 Transparency in lightbox 1980 x 2286 mm Cinematographic photograph © The artist The large colour-print format that Wall favours requires a camera that is ill-suited to capturing fleeting moments, yet he wanted to explore the documentary style of street photography practiced by a number of photographers, such as Robert Frank or Garry Winogrand. Wall's solution was to restage such moments, preserving a sense of immediacy by using non-professional actors in real settings. He calls these constructed images 'cinematographic photographs'. In Mimic, the white man's 'slant-eyes' gesture recreates a scene of racial abuse that Wall witnessed on a Vancouver street. Good morning class. I am away today as you can see, but I thought I'd leave you some information and reminders.
My expectations are still the same even though I am not here. I hope that my students can treat everyone with respect, especially those that are visitors to our classroom. I have posted specific information on all your class sections regarding what you are suppose to be doing. The same rules apply while I am away:
Hope you have a great day and I will see you on Friday. - Mr. Choy |
Mr. Choy [email protected]
"If you learn only methods, you'll be tied down to your methods, but if you learn principles you can devise your own methods."- Ralph Waldo Emerson Archives
February 2014
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